Stroope Z. Randall Archives - Behind the Music

Z. Randall Stroope, Heritage and HODIE

December 5, 2022August 24, 2022 by debisimons

A Rich Vein of Influence

The “Z” stands for “Zane.” Just in case you’re wondering.

Now that we have that out of the way we can get to the real stuff, notably the great compositional heritage embodied in the work of this very-active American composer. A look at his teachers and their teachers and their teachers shows a line going all the way back to the great French composer Gabriel Fauré, who lived from the mid-1800’s until the 1920’s and who in turn had been taught by none other than Camille Saint-Saëns. Wow. Ancestry.com should do a family tree on this.

Fauré had a long and varied career as a performer, composer, and teacher. The next step on the ladder of Stroope’s influences came from Fauré’s student Nadia Boulanger. It’s fair to say that while no one today is going to program a concert featuring her own works, she has permeated American music to a surprising degree, with pupils including Aaron Copland, Virgil Thompson, Quincy Jones and Burt Bacharach. Two pupils relevant to Stroope were Cecil Effinger and Normand Lockwood, both of whom became Stroope’s teachers and mentors.

Robert Frost and Randall Thompson’s Frostiana (with other rabbit trails along the way)

June 21, 2022March 30, 2022 by debisimons

Robert Frost in 1941; image accessed via Wikipedia

Introduction

This will be very long for a blog post/article but too short for a whole separate book, so note the Table of Contents box above that you can use as needed or desired. My goal here is to focus primarily on Randall Thompson’s Frostiana, looking at the circumstances of its composition and the seven poems individually that comprise it, but with plenty of info about Robert Frost the man and poet and also a bit about a couple of other composers who have set Frost’s poetry to music. An individual video is included for each song, with a full performance of the Thompson suite at the end. Other bonus videos are included!

Let me start by explaining my own history of singing music set to texts by Robert Frost. As a member of the Cherry Creek Chorale here in the Denver area I’ve sung “The Pasture” by Z. Randall Stroope, “The Road Not Taken” and “Choose Something Like a Star” from Frostiana by Randall Thompson, and “Sleep” by Eric Whitacre, which started out its life as a setting of Frost’s “Stopping by Woods on a Snowy Evening.” Then, as a grand finale to all this Frost-y stuff (sorry), I’m getting to sing the entire Frostiana in May of 2022 with my group. If you’re reading this before May 6-7 2022, you can follow the link above to visit the choir’s website and attend the concert. It’s going to be g-r-e-a-t!

How Can I Explain the Backstory of “How Can I Keep from Singing?”?

June 21, 2022September 20, 2021 by debisimons

I think this is the second time I’ve had a double question mark in a post title. Always up for a grammatical challenge, that’s me. (That’s I?)

Anyway, when my choir, the Cherry Creek Chorale, recently rehearsed this piece the conductor said, “This is one of the most-frequently arranged songs around.” There’s no way to definitively quantify the number of arrangements out there for any piece, but it does seem to be quite popular. As usual I’m more interested in the words than the music, but the tune is truly lovely, written by a Baptist minister, Robert Lowry, in the mid-1800’s. I was interested to see that his three other most-famous hymns, “Christ Arose,” “Nothing but the Blood of Jesus,” and “Shall We Gather at the River?” are all songs I’ve sung in church myself. I love, love, love “Shall We Gather” and always sort of thought that it was a folk song or spiritual.

Three Men, Three Countries, One Masterpiece—“Homeland”

January 21, 2021January 14, 2021 by debisimons

National Guard troops guarding the US Capitol building, Jan. 13, 2021, accessed via bbc.com.

Do you want to know my clearest memory of this piece? My choir had scheduled it for a March 2013 concert; when we sang it through for the first time at rehearsal I suddenly realized that the woman who sat next to me was crying. The words had hit her like a ton of bricks—her fiancé had been killed in Vietnam, she said. And indeed the words are very emotional, even more so when you know their history.

The first of the three men associated with this piece was Cecil Spring Rice, a British diplomat who served as ambassador to the US starting in 1912 and who wrote a poem named “Urbs Dei”