An Italian writes Spanish songs for guitar and chorus

various images of the composer Mario Castelnuovo-Tedesco, accessed via the website https://mariocastelnuovotedesco.com/new-light-on-intellectuals-who-fled-fascist-italy/

Mario Castelnuovo-Tedesco Falls in Love with Spain and the Guitar

How likely is it that an 18-year-old Italian Jewish boy was given a trip to Spain as a graduation gift by his parents and fell in love with the country even though he never returned? That seems to have indeed happened to the young Mario Castelnuovo-Tedesco, so much so that “It was in Spain, as nowhere else that he felt at home…the experience left him with deep impressions that would one day be reflected in his music.”

Indeed, Castelnuovo-Tedesco is a completely fascinating character, who lived a remarkable life even as he dealt with the traumas of bad health, anti-Semitism, and a total uprooting of his life. There is no way I can deal with his biography in any thorough way at all, but I’d encourage you to at least read the Wikipedia article about him if he sounds interesting to you. (But I will include the tidbit here that his hyphenated last name came about because of an inheritance requirement put on his grandfather. You’ll see in the following material that sometimes I just use the initials of his last name.) It’s fascinating to note that a chance meeting with the Spanish guitarist Andrés Segovia at a music festival in Venice sparked C-T’s eventual composition of over 100 works for the guitar, an instrument he knew nothing about and had never played before this point. But for some reason Segovia asked the composer to write a piece for him. C-T said yes at the time, but later had second thoughts:

Dear Segovia: It would be a great pleasure to write something for you, because I have had the occasion to admire you many times. However, I must confess that I do not know your instrument and I do not have the remotest idea on how to compose for it.

But the great guitarist persisted, encouraging the composer to study other works for the guitar, and eventually C-T sent along his “Variazioni attraverso I secoli” (“Variations Across the Centuries”). Segovia replied that: “It is the first time I have met a musician who understands immediately how to write for the guitar.”

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