Moore Thomas

In the Blurred Line Between Waking and Sleeping, Reflections on the Past in “The Stilly Night”

by
Billie Grace Ward from New York, USA / CC BY (https://creativecommons.org/licenses/by/2.0)

As I write this post my beloved choir has recently performed a great concert of Irish music in the latest of our every-other-year Celtic concerts. (Sadly, because of the pandemic, as of March 2020, we have just had to cancel our final concert of the year that would have been performed in May. But we’ll be back!) The tenors and basses (in other words, the men plus me) sang “Oft in the Stilly Night” with text by the early-19th-century Irish poet Thomas Moore. So I want to explore the imagery of the poem and then take a look at the composer of the version we sang.

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In Which I Do a Little English-Teachersplaining about Thomas Moore’s “Sing, Sing”

by
Léon Bazille Perrault [Public domain], via Wikimedia Commons
A song about singing is a great choice for a choral concert! So what’s the deal with the lyrics for this song? Well, first let me take a look at the poet himself:

Thomas Moore was an Irishman who lived from 1779-1852. He had a long and varied career, as they say, which could have ended much sooner if the duel he was supposed to fight in 1806 had not been stopped by the authorities; he forever afterward had to deal with rumors that his opponent (the editor of a critical review) had been given an unloaded pistol.

Eventually Moore was persuaded to write lyrics to some already-established Irish airs. These songs included the more-famous “The Last Rose of Summer” and “Believe Me, If All These Endearing Young Charms.”

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