The meaning of the the Requiem text, part 4.
Last week I wrote about animals in the Requiem. This week I’m concentrating on one person mentioned one time in the Requiem text. I guess I’m constitutionally unable to just go through the text line by line. You wouldn’t enjoy that anyway, would you? I’ve already talked about Abraham, David and the Sybils, so they’re covered. But that still leaves several other individuals or groups who should get an explanation, and that endeavor will take up this post and at least one more after that. In the “Recordare,” we have the lines:
Qui Mariam absolvisti
et latronem exaudisti
mihi quoque spem dedisti.
The meaning of the Requiem text, part 3:
The meaning of the Requiem text, part two:
I wrote last week about the constraints Mozart worked with as he composed the Requiem. Starting with this post I’ll look at the text of the various sections, as many as I can squeeze in, and perhaps an attempt at times to draw a connection between the words and the music.
There’s a famous essay by Edgar Allan Poe titled “The Philosophy of Composition,” in which the poet and storyteller outlines what he says to be the method used in writing his famous poem, “The Raven.” I rather blush to say that I have taught about this piece in a high-school English class (hey, it was in the anthology) and taken it seriously, as indeed a quick Google search will show that most reviewers do.
Who really commissioned Mozart’s Requiem, and who actually wrote it?


